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Filip Wiltgren

Robot writing a book

Lately, I’ve been going through AI panic cycles, ranging from “meh, this stuff’s never going to be as good at telling stories as me” to “Augh, augh, I’ll never be able to compete with a flood of tailored AI-generated books!” Back and forth, back and forth, fear and confidence, confidence and fear.

But now, I’ve figured it out. And my money is on “there’s a bit to worry about, but once you reach a certain level of skill, there’s no replacing a human writer.”

Here’s why:

The current generation of AI wonders is based on LLM:s – Large Language Models. For those of you who know nothing about AI, and have lived beneath a rock, LLM:s are the “we’re scraping the entire web and training our gigantic models to approximate human output” kind of AI. But that’s not important for this discussion.

What is important is this: LLM:s are averaging engines. They aren’t capable of thought, or content recognition, or even random output. They take whatever you type into them, and give you the answer that an average person would give.

Here’s an uplifting proof. That’s from a overview of a new AI tool that allows users to interact with several models at once. The question is a very open-ended “tell me a joke.”

Give that prompt to 1 000 people, and you’ll end up with 900 different jokes, and 50 people who say “What? Me? Joke? No, I couldn’t…”

3 of the 5 questioned LLM:s reply with the exact same joke.

Exact. Same. Joke.

Here’s the segment (1 minute to watch):

 

That result in itself is a joke, but here’s what’s going on: they’re using similar training data, and that data likely has a not insignificant amount of copies of that joke. When asked to tell a joke, the LLM:s look to what tokens follow the joke prompt, and return the same joke. And since it’s a science-themed joke, it’s likely (at least in my mind) that it’s a joke used as an example in numerous computer science texts on the web. That the LLM:s have scraped, and are now regurgitating.

There’s a study (to which I’ve forgotten the link) that asked LLM:s to generate random numbers between 1 and 100, over and over again. In a truly random scenario, you should get an output that resembles a wavy line – each number represented roughly the same amount of times. Guess what happened with the LLM:s? Half of those “random” numbers turned out to be “42” and a quarter were “69”…

And when the researcher pressed the LLM to generate the random numbers with memory, 100 times in a row, they got each number exactly once – also NOT a random selection.

That’s because the LLM:s can’t do random. They can only do average.

TLDR: LLM:s tend to produce the SAME output.

Here’s a great video by Professor Sabine Hossenfelder explaining why (5 minutes):

What does that mean for us writers, artists, musicians, and general creatives?

We’re going to see a period of AI being more and more able to create formulaic stories. If you’re the kind of writer that only writes to market, strictly following a formula (not mentioning any names, but I’m looking at you, Best-Selling Brand Name Author #2,) then you’ll likely have a very hard time in the next ten years.

AI can be a competent writer. AI can follow a template. AI can do filler. If you need to churn out your average, empty newsletter or background image or Lorem Ipsum junk text, AI is your buddy.

AI doesn’t innovate. And that’s they key.

Because what will happen is what always happens: readers flock to a new genre, they fall in love with it, they want more of it – and then they fall out of love, and want something new. And LLM:s can’t do new. Not without a lot of human prompting and support, and sometimes not even then.

So for me, who writes quirky, off-genre books that combine diverse elements, diverse casts, and basically stuff that I find cool, I’m not worried. AI will, for the foreseeable future, have a hard time duplicating what I do. And when readers tire of same-old, same-old and search for something that’s beyond what their AI-dominated genres can deliver, maybe they’ll discover something by me.

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An outline of a brain filled with self-publishing illustrations

First, read David Gaughran’s Let’s Get Digital, it’s free on his site. That will give you a basic understanding of the self-publishing process. Hopefully it will also inoculate you against the most common scams aimed at writers.

Secondly, peruse the Kindlepreneur articles on book publishing and book marketing from the past year or two. Some of them are a bit dense, but they do have good advice. Also, pay special notice to the parts warning about scams. (more…)

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Thief stealing a book

This is another one of those things that crop up all the time on writer’s forums: help, I don’t dare to post/critique/ask for beta reads of my book because I’m afraid that it will be stolen.

Don’t worry, I’m here to lay rest to that fear. But first, some honesty: yes, books get stolen.

Hemingway had a suitcase with his manuscripts in it stolen in the 1920’s…

But in all seriousness, it doesn’t happen unless you’re famous, and even then it’s very, very rare. (more…)

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The Pirate Publisher
The Pirate Publisher by Joseph Ferdinand Keppler (1838-1894) / Wikimedia Commons

I keep hearing, often from new writers or aspiring writers, that it’s pointless to write, you’ll never make a career of it today because AI is coming and spamming Amazon with rip-offs, knock-offs, or plain crap. AI will kill writing! AI will kill publishing! The Great Wave of Spam is coming!

Nope.

It’s already here, and it’s been here for a long, long time. (more…)

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Illustration of a sales funnel for books

So you’ve put out a book, or two, or three. You stare at your KDP dashboard and wait. And wait, and wait, and wait.

Crickets.

Your friends and family might have bought a few copies, but apart from that, nobody seems to care about your book. What’s wrong?

Probably one of these five things: (more…)

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Delicious, delicious mushrooms. Nicely sauteed, crisp and brown, with just a tad of chewiness, and a boat-load of science behind it.

I’m getting hungry just watching the video. Check it out:

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What do you do when you design a robotic mouse that can solve a maze, any maze?

You turn the mouse microscopic, put a turbo engine on it, and run it like a bat out of hell!

Check it out:

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Because Johny Cash.

And no, it’s not a song about STDs…

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Getting your books pirated can be the best thing to ever happen to you in a particular market. Like what happened to Neil Gaiman:

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