Melodrama. The mere word makes serious writers cringe.

Melodrama is simple. It’s overblown characters in improbable actions. It’s an appeal to emotion, the life of every 1930’s pulp novel. The Handsome Hero in his White Stetson and Pearl Handled Revolver rescuing the Damsel in Distress from the Dastardly Villain.

Melodrama is horrible in stories. It’s flat, overblown, overused and often based on idiot plots.

It’s perfect for games. (more…)